Homework Viewing for 1/31

  • Read here about Charlie Chaplin's Gold Rush (1925) & Modern Times (1936). Then watch this scene, that scene and this trailer!
  • Don't worry about the Hitchcock documentary for this week... I don't think we're going to be able to get to Rear Window until next week!

Remember... be on the lookout not only for the main ideas presented in the video clips, but also illustrations of things we've already talked about!

Links for tonight...

Newsflash!

FYI: OSCAR.com - 79th Annual Academy Awards - Nominees!

Don't worry about the video or the Cinema Paradiso write-up!

I guess a number of folks have had trouble accessing the videos embedded below. Don't worry about them... I'll show them in class this time!

Also, you don't have to write up about Cinema Paradiso until you see the ending tomorrow night!

See you then!!

UPDATED: For Tuesday, Jan. *24*!

Dear Class,

My bad... You know, after the new year, some folks have problems remembering 2007. Not me... I just have no idea what day of the month we're talking about! :-)

So, yes... I do have a Faculty Senate meeting the 31st. But, no, that's not this upcoming Wednesday. No problem... We'll just shift the writing assignment about Cinema Paradiso to homework after class, and everything else will be the same as I originally wrote down below!

To recap, the questions are:
1) What can you learn from Cinema Paradiso about the history of movies?
2) What can you learn from Cinema Paradiso about the history of Italy in the late 20th century?
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Note from IMDB: "Though not particularly noteworthy in itself, this remake of 'The Kiss' is historically of some interest in comparison with the original version. The content is only slightly different, but the responses that the two movies received are interesting. Whereas the 1896 version was met with widespread comment and controversy, inflaming public opinion and permanently changing the careers of the two performers involved, the remake seems to have come and gone with comparatively little disturbance.In comparison with the earlier version, this movie has a different, younger-looking couple, and has a somewhat different feel to it, with the actors seeming a bit more playful and flirtatious than the couple in the original. The degree of intimacy still seems about the same, and if anyone was concerned about the 1896 movie, you would think that they would object to this one also. But perhaps what caused the original controversy was not really the content itself, but the newness of motion pictures. The permanent, re-playable nature of a movie, the intimacy (compared to a stage production) of a mid-range close-up, and the completeness that a movie offers, were all brand new in 1896, but were getting to be a little more familiar in 1900. It still happens today that things that once seemed shocking on film don't seem so outrageous once they become a little more common."


Excerpt from the Battleship Potemkin directed by Sergei Eisenstein.

"Considered one of the most important films in the history of silent pictures, as well as possibly Eisenstein's greatest work, Battleship Potemkin brought Eisenstein's theories of cinema art to the world in a powerful showcase; his emphasis on montage, his stress of intellectual contact, and his treatment of the mass instead of the individual as the protagonist. The film tells the story of the mutiny on the Russian ship Prince Potemkin during the 1905 uprising" (which foreshadowed the successful Communist Revolution which had already taken place by this time! From the Internet Archive)

Cited in a million films... including The Godfather, Revenge of the Sith, Bananas, Love & Death, Brazil, and Naked Gun: 33 1/3. Here's The Untouchables (1987) version.
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And not required but just for fun...
The Little Train Robbery (Edison K. Films 1905 parody of their original film above)

Silent Star Wars